– Wisdom in the ways of the world can be achieved by careful observation of how people act an a study of history.
– Human nature is such that individuals will seek gratification of their listing for power, pleasures, and profit.
– The essential feture of all society struggle and intense competitiveness.
– The wise prince ought to do whatever is expedient to achieve and maintain power.
– Consideration of the dictates of traditional morality and religion are not relevant unless they aid in the enhancement of the goods of a well-ordered society.
– Human excellence is measured in terms of virtu, the capacity of intellect and will to act with dynamic vitality.
– The most vital states are those republics whose citizens enjoy the maximum freedom to be masters of their own destiny.
Machiavelli was born in Florence on 3rd May 1469. He was the second son of Bernardo di Niccolo Machiavelli, a lawyer of some repute, and of Bartolommea di Stefano Nelli, his wife. Both parents were members of the old Florentine nobility.
From 1494 to 1512 he held an official post at Florence which included diplomatic missions to various European courts. Machiavelli was briefly imprisoned in Florence in 1512, was later exiled and returned to San Casciano.
His youth was concurrent with the greatness of Florence as an Italian power under the guidance of Lorenzo de’ Medici, Il Magnifico. The downfall of the Medici in Florence occurred in 1494, in which year Machiavelli entered the public service. During his official career Florence was free under the government of a Republic, which lasted until 1512, when the Medici returned to power, and Machiavelli lost his office. The Medici again ruled Florence from 1512 until 1527, when they were once more driven out. This was the period of Machiavelli’s literary activity and increasing influence; but he died, within a few weeks of the expulsion of the Medici, on 22nd June 1527, in his fifty-eighth year, without having regained office.
Although there is little recorded of the youth of Machiavelli, the Florence of those days is so well known that the early environment of this representative citizen may be easily imagined. Florence has been described as a city with two opposite currents of life, one directed by the fervent and austere Savonarola, the other by the splendor-loving Lorenzo. Savonarola’s influence upon the young Machiavelli must have been slight, for although at one time he wielded immense power over the fortunes of Florence, he only furnished Machiavelli with a subject of a gibe in The Prince, where he is cited as an example of an unarmed prophet who came to a bad end. Whereas the magnificence of the Medicean rule during the life of Lorenzo appeared to have impressed Machiavelli strongly, for he frequently refers to it in his writings, and it is to Lorenzo’s grandson that he dedicates ”The Prince”.
Machiavelli, in his History of Florence, gives us a picture of the young men among whom his youth was passed. He writes: “They were freer than their forefathers in dress and living, and spent more in other kinds of excesses, consuming their time and money in idleness, gaming, and women; their chief aim was to appear well dressed and to speak with wit and acuteness, whilst he who could wound others the most cleverly was thought the wisest.” In a letter to his son Guido, Machiavelli shows why youth should avail itself of its opportunities for study, and leads us to infer that his own youth had been so occupied. He writes: “I have received your letter, which has given me the greatest pleasure, especially because you tell me you are quite restored in health, than which I could have no better news; for if God grant life to you, and to me, I hope to make a good man of you if you are willing to do your share.” Then, writing of a new patron, he continues: “This will turn out well for you, but it is necessary for you to study; since, then, you have no longer the excuse of illness, take pains to study letters and music, for you see what honor is done to me for the little skill I have. Therefore, my son, if you wish to please me, and to bring success and honor to yourself, do right and study, because others will help you if you help yourself.”
The second period of Machiavelli’s life was spent in the service of the free Republic of Florence, which flourished, as stated above, from the expulsion of the Medici in 1494 until their return in 1512. After serving four years in one of the public offices he was appointed Chancellor and Secretary to the Second Chancery, the Ten of Liberty and Peace. Here we are on firm ground when dealing with the events of Machiavelli’s life, for during this time he took a leading part in the affairs of the Republic, and we have its decrees, records, and dispatches to guide us, as well as his own writings. A mere recapitulation of a few of his transactions with the statesmen and soldiers of his time gives a fair indication of his activities, and supplies the sources from which he drew the experiences and characters which illustrate The Prince.
His first mission was in 1499 to Catherina Sforza, “my lady of Forli” of The Prince, from whose conduct and fate he drew the moral that it is far better to earn the confidence of the people than to rely on fortresses. This is a very noticeable principle in Machiavelli, and is urged by him in many ways as a matter of vital importance to princes.
In 1500 he was sent to France to obtain terms from Louis XII for continuing the war against Pisa: this king it was who, in his conduct of affairs in Italy, committed the five capital errors in statecraft summarized in The Prince, and was consequently driven out. He, also, it was who made the dissolution of his marriage a condition of support to Pope Alexander VI; which leads Machiavelli to refer those who urge that such promises should be kept to what he has written concerning the faith of princes.
Machiavelli’s public life was largely occupied with events arising out of the ambitions of Pope Alexander VI and his son, Cesare Borgia, the Duke Valentino, and these characters fill a large space of ”The Prince”. Machiavelli never hesitates to cite the actions of the duke for the benefit of usurpers who wish to keep the states they have seized; he can, indeed, find no precepts to offer so good as the pattern of Cesare Borgia’s conduct, insomuch that Cesare is acclaimed by some critics as the “hero” of The Prince. Yet in The Prince the duke is in point of fact cited as a type of the man who rises on the fortune of others, and falls with them; who takes every course that might be expected from a prudent man but the course which will save him; who is prepared for all eventualities but the one which happens; and who, when all his abilities fail to carry him through, exclaims that it was not his fault, but an extraordinary and unforeseen fatality.
On the death of Pope Pius III, in 1503, Machiavelli was sent to Rome to watch the election of his successor, and there he saw Cesare Borgia cheated into allowing the choice of the College to fall on Giuliano delle Rovere (Pope Julius II), who was one of the cardinals that had most reason to fear the duke. Machiavelli, when commenting on this election, says that he who thinks new favors will cause great personages to forget old injuries deceives himself. Julius did not rest until he had ruined Cesare.
It was to Julius II that Machiavelli was sent in 1506, when that pontiff was commencing his enterprise against Bologna; which he brought to a successful issue, as he did many of his other adventures, owing chiefly to his impetuous character. It is in reference to Pope Julius that Machiavelli moralizes on the resemblance between Fortune and women, and concludes that it is the bold rather than the cautious man that will win and hold them both.
It is impossible to follow here the varying fortunes of the Italian states, which in 1507 were controlled by France, Spain, and Germany, with results that have lasted to our day; we are concerned with those events, and with the three great actors in them, so far only as they impinge on the personality of Machiavelli. He had several meetings with Louis XII of France, and his estimate of that monarch’s character has already been alluded to. Machiavelli has painted Ferdinand II of Aragon as the man who accomplished great things under the cloak of religion, but who in reality had no mercy, faith, humanity, or integrity; and who, had he allowed himself to be influenced by such motives, would have been ruined. The Emperor Maximilian was one of the most interesting men of the age, and his character has been drawn by many hands; but Machiavelli, who was an envoy at his court in 1507-8, reveals the secret of his many failures when he describes him as a secretive man, without force of character – ignoring the human agencies necessary to carry his schemes into effect, and never insisting on the fulfilment of his wishes.
The remaining years of Machiavelli’s official career were filled with events arising out of the League of Cambrai, made in 1508 between the three great European powers already mentioned and the pope, with the object of crushing the Venetian Republic. This result was attained in the Battle of Vaila (now usually known as the Battle of Agnadello), when Venice lost in one day all that she had won in eight hundred years. Florence had a difficult part to play during these events, complicated as they were by the feud which broke out between the pope and the French, because friendship with France had dictated the entire policy of the Republic. When, in 1511, Julius II finally formed the Holy League against France, and with the assistance of the Swiss drove the French out of Italy, Florence lay at the mercy of the Pope, and had to submit to his terms, one of which was that the Medici should be restored. The return of the Medici to Florence on September 1, 1512, and the consequent fall of the Republic, was the signal for the dismissal of Machiavelli and his friends, and thus put an end to his public career, for, as we have seen, he died without regaining office.
On the return of the Medici, Machiavelli, who for a few weeks had vainly hoped to retain his office under the new masters of Florence, was dismissed by decree dated November 7, 1512. Shortly after this he was accused of complicity in an abortive conspiracy against the Medici, imprisoned, and put to the question by torture. The new Medicean people, Pope Leo X, procured his release, and he retired to his small property at San Casciano, near Florence, where he devoted himself to literature. In a letter to Francesco Vettori, dated December 13, 1513, he has left a very interesting description of his life at this period, which elucidates his methods and his motives in writing The Prince. After describing his daily occupations with his family and neighbours, he writes: “The evening being come, I return home and go to my study; at the entrance I pull off my peasant- clothes, covered with dust and dirt, and put on my noble court dress, and thus becomingly re-clothed I pass into the ancient courts of the men of old, where, being lovingly received by them, I am fed with that food which is mine alone; where I do not hesitate to speak with them, and to ask for the reason of their actions, and they in their benignity answer me; and for four hours I feel no weariness, I forget every trouble, poverty does not dismay, death does not terrify me; I am possessed entirely by those great men. And because Dante says:
Knowledge doth come of learning well retained,
I have noted down what I have gained from their conversation, and have composed a small work on ‘Principalities,’ where I pour myself out as fully as I can in meditation on the subject, discussing what a principality is, what kinds there are, how they can be acquired, how they can be kept, why they are lost: and if any of my fancies ever pleased you, this ought not to displease you: and to a prince, especially to a new one, it should be welcome: therefore I dedicate it to his Magnificence Giuliano. Filippo Casavecchio has seen it; he will be able to tell you what is in it, and of the discourses I have had with him; nevertheless, I am still enriching and polishing it.”
The “little book” suffered many vicissitudes before attaining the form in which it has reached us. Various mental influences were at work during its composition; its title and patron were changed; and for some unknown reason it was finally dedicated to Lorenzo II de’ Medici. Although Machiavelli discussed with Casavecchio whether it should be sent or presented in person to the patron, there is no evidence that Lorenzo ever received or even read it: he certainly never gave Machiavelli any employment. Although it was plagiarized during Machiavelli’s lifetime, The Prince was never published by him, and its text is still disputable.
Machiavelli concludes his letter to Vettori thus: “And as to this little thing (his book), when it has been read it will be seen that during the fifteen years I have given to the study of statecraft I have neither slept nor idled; and men ought ever to desire to be served by one who has reaped experience at the expense of others. And of my loyalty none could doubt, because having always kept faith I could not now learn how to break it; for he who has been faithful and honest, as I have, cannot change his nature; and my poverty is a witness to my honesty.”
Before Machiavelli had got The Prince off his hands he commenced his Discourse on the First Decade of Titus Livius, which should be read concurrently with The Prince. These and several minor works occupied him until the year 1518, when he accepted a small commission to look after the affairs of some Florentine merchants at Genoa. In 1519 the Medicean rulers of Florence granted a few political concessions to her citizens, and Machiavelli with others was consulted upon a new constitution under which the Great Council was to be restored; but on one pretext or another it was not promulgated.
In 1520 the Florentine merchants again had recourse to Machiavelli to settle their difficulties with Lucca, but this year was chiefly remarkable for his re-entry into Florentine literary society, where he was much sought after, and also for the production of his Art of War. It was in the same year that he received a commission at the instance of Cardinal de’ Medici to write the History of Florence, a task which occupied him until 1525. His return to popular favour may have determined the Medici to give him this employment, for an old writer observes that “an able statesman out of work, like a huge whale, will endeavor to overturn the ship unless he has an empty cask to play with.”
When the History of Florence was finished, Machiavelli took it to Rome for presentation to his patron, Giulio de’ Medici, who had in the meanwhile become Pope Clement VII. It is somewhat remarkable that, as, in 1513, Machiavelli had written The Prince for the instruction of the Medici after they had just regained power in Florence, so, in 1525, he dedicated the History of Florence to the head of the family when its ruin was now at hand. In that year the battle of Pavia destroyed the French rule in Italy, and left Francis I of France a prisoner in the hands of his great rival, Charles V, Holy Roman Emperor. This was followed by the sack of Rome, upon the news of which the popular party at Florence threw off the yoke of the Medici, who were once more banished.
Machiavelli was absent from Florence at this time, but hastened his return, hoping to secure his former office of secretary to the “Ten of Liberty and Peace.” Unhappily he was taken ill soon after he reached Florence, where he died on 22nd June 1527.
Machiavelli is the key figure in the realistic political theory of the Renaissance and crucial to later political philosophy and political science.
He was the author of The Prince, supposed to be an instruction book for rulers. In it, he advocated the theory that whatever was expedient was necessary – an early example of utilitarianism and realpolitik as these theories were elaborated later on, especially in the 20th century.
He is also the author of many “Discourses” on political life in the Roman Repu`lic, Flkrence, and other states, in which he demonstrated mastery of other 6hews. It ir simply unfair that the adjective “machiavelhian&qunt; has come to refer to narrow se,f-inperested behavior pursued for and by interest groups. This is not the point of The Prince nor anyof the Discourses.
Thus, like Macbeth or Karl Marx, the view one takes of the man tends to depend on whose history one reads. This article focuses on his known motives and the differences between the man and how he is stereotyped by his own works. Some works were so influential that they are each covered in their own articles. However, he was the author of much poetry, comedy, and commentary on current events of his day that any such stereotype is simply inadequate.
Along with Leonardo da Vinci, Niccolo Machiavelli is considered the ideal prototype of the Renaissance man.
Major works of Niccolo Machiavelli
– The Prince (1513)
– Discourses on Livy (1517)
– Art of War (1520)
– Reform of Florence (1520)
– The History of Florence (1525)
– Castruccio Castracani Of Lucca (essay)
– The Duke Valentino (essay)
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